In my work, I explore the boundary between form and sensation — the place where the object ceases to be mere matter and becomes an experience. This photograph was created as an observation of the fragility of existence and the traces that time leaves on every surface. Lines and textures are not simply visual elements; they are a map of transformation, a memory of movement and silence at once.
I choose a minimalist visual language because I believe that strength is born from limitation. Light in my work does not merely illuminate — it shapes, constructs, and reveals hidden structures. The monochrome aesthetic removes visual noise and allows the viewer to focus on the essence: rhythm, tension, and inner space.
For me, photography is not a document but a transformation — a way of turning reality into a symbol. This work exists between the organic and the abstract, between the body and the idea. It does not offer answers; it creates a space for personal interpretation and contemplation.
The distinction of First Prize and Gold Medal at the 52° Salon des Artistes – Ville de Houilles, Paris is not an endpoint, but a confirmation of the power of silence, minimalism, and inner depth as a universal visual language.
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